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Migrating Pedagogies gathering before the bell hooks symposium.jpg

Migrating Pedagogies
edited by Gabrielle Civil, Andrea Quaid,

and Allison Yasukawa
ISBN 978-1-962365-15-4

Forthcoming.

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​​​​​​Where does pedagogy happen and who is it for? Where has pedagogy always been and where has it been ignored? Co-edited by Gabrielle Civil, Andrea Quaid, and Allison Yasukawa, Migrating Pedagogies invites teachers, students, writers, artists, and activists to locate teaching and learning in their lived experiences. Key topics include creation, curation, aspiration, intelligence, frustration, desire, decoloniality, disability, performance, poetics, process, protest, and more. This anthology republishes thirteen, limited edition Migrating Pedagogies pamphlets and includes work from new contributors along with a foreword and introduction. Drawing from perspectives of cultural workers inside and outside of the academy, this volume also documents readings, workshops, events, postcards, zines, and artworks. Migrating Pedagogies highlights feminist pedagogy as a lived, material, relational process, perpetually on the move.​

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Civil headshot.jpg
Quaid headshot.jpg
Yasukawa headshot.jpg

Gabrielle Civil is a black feminist performance artist, poet, and writer from Detroit, MI. She has premiered over fifty original performance works, including Recess with Silvi Naçi at the Feminist Center for Creative Work (2025) and Black Weirdo School (Pop Up for Critique) at the Pacific Northwest College of the Arts (2024). Her five performance memoirs include the déjà vu (2022) and In & Out of Place (2024).The proud child of two teachers, she has delivered keynote addresses on art, education, and social justice around the US. Her writing on teaching has also appeared in Trauma-Informed Pedagogy and Teaching Black. Foundress of the Black Weirdo School, she teaches at the California Institute of the Arts and in community. The aim of her work is to open up space.

 

Andrea Quaid  is a writer, editor and teacher. Her work focuses on poetry and poetics, pedagogy, and feminist studies. She is co-editor of Acts + Encounters, a collection about experimental writing and community, and Urgent Possibilities, Writings on Feminist Poetics and Emergent Pedagogies. Her work appears or is forthcoming in American Book Review, Annulet, BOMBlog, Entropy, Feminist Art Practice and Research: Cosmos, Feminist Spaces Journal, Full Stop, Jacket2, Lana Turner, LIT, Los Angeles Review of Books, Manifold and Syllabus. She teaches at California Institute of the Arts. She also teaches in the Bard College Language & Thinking Program and Institute for Writing and Thinking.

 

Allison Yasukawa is an interdisciplinary maker, liberatory educator, and deep language nerd. She investigates asymmetries of power in language and interaction and examines crossings of various kinds, from the personal to the global. Allison has exhibited in the United States and internationally at spaces including the American University Museum (Washington D.C.), High Desert Test Sites (Joshua Tree, CA), and Dak'Art OFF (Saint-Louis, Sénégal). She has worked at art and design schools across the United States and presented workshops internationally on art-making and language-making in Addis Ababa, Ethiopia; Grand-Bassam, Ivory Coast; and Changsha, China. Allison is an Associate Professor at Emily Carr University of Art + Design and lives in Vancouver, Canada on the unceded, traditional, and ancestral territories of the Coast Salish peoples. 

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